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ANASTACIA: sample text

A remarkable performance
From the novel “ANASTACIA – The eternal cruelty of emotions” by Johannes Themelis

Young Master Nicholas, son of the most honourable Sir Basil Cheltenham, was highly excited, when Empress Stah, the famous body-art performer, came to show her exquisite Chandelier Act at the large Salle de Balle of Kantara Castle in front of a high-level audience called together by the Cheltenhams, Sir Basil and Lady Charlene. Up to that day Nicholas had looked up eagerly every picture of the artist at the internet, and had read every word of her homepage as well, but on some reason never dared to email her or write something into her guestbook.

He therefore stood gaping now that the event started with the Empress appearing out of a curtain and stepping quickly ino the empty space the visitors had left. She looked quite strange with her head partly shaved in a way that from one side you had the impression she was bald, but from the other you could see some tufts of hair. The red robe she was wearing fell within a minute with one single jerk when she came to stand straight before Nicholas. She was clad now just in two little red hearts attached to her nipples and some frilly knickers of the same colour. Their eyes met for seconds, and the youngster, in a stroke of genius, handed over to her a bunch of red roses he had brought with him, not knowing then if there would be an opportunity to deliver it.

Stah took hold of the flowers with one hand and of the sling fixed to the giant low-hanging chandelier with the other. Up the whole apparatus went, with her body dangling on it and revolving slowly. At a height of perhaps forty feet the artist slipped through the sling with both arms, obviously in order to have her hands free, bit off the rose-buds and spit the petals out, which fell down like big red raindrops, followed by the naked stalks.

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Then the real performance was on. Before all the Empress pushed down those knickers and let them sail down, just to reveal a third little red heart merely covering her pubic hair. Then she went through the routine she had sure enough accurately choreographed: loops through the sling, extreme back- and frontbends, and above all wide splits which perfectly met the voyeuristic attitude of the people below. At last she hung head down with the sling wrapped round her ankles, pirouetting furiously in that position. Suddenly she stopped, pausing for some breathtaking moments. Then she got her left leg free and, spreading it far apart from the right, pulled something out of her most intimate site. It turned out to be a long thin silver chain, when young Cheltenham picked it up from the floor after the artist had dropped it exactly in front of him. He perceived the scent of her pussy and nearly went crazy, all the more when he saw the plaquette fixed to the chain. It said with engraved letters “Nicholas…” on one side and “… to my wardrobe!” on the other.

He obeyed immediately and hurried to be there before Empress Stah would arrive after she had brought her act to a much applauded end. When she eventually entered the room Nicholas bowed, proceeded to her and solemnly kissed her hand. This scene looked quite curious due to the fact that he was dressed formally, while she was standing completely in the nude now: she had removed the three little hearts in the very moment she came in.

Like answering his courtesy, she made a deep backbend, which ended up in a sort of crown figure, presenting her marvellous front entrance to the highly upset young man. Suddenly he became aware that something was glittering there, and again it was a silver chain. He pulled sensitively, only to produce another plaquette which read: “Feel free to enter!” Now Nicholas was raging of passion. He jumped out of his clothes and followed her invitation…